[30], In 1915, Fields starred in two short comedies, Pool Sharks and His Lordship's Dilemma, filmed at the French Gaumont Company's American studio in Flushing, New York. With her he had another son, named William Rexford Fields Morris (1917–2014). [31] His stage commitments prevented him from doing more movie work until 1924, when he played a supporting role in Janice Meredith, a Revolutionary War romance starring Marion Davies. In others, he cast himself as a victim: a bumbling everyman husband and father whose family does not appreciate him. Until his death, Fields continued to correspond with Hattie (mostly through letters) and voluntarily sent her a weekly stipend. His real name was William Claude Dukenfield and he started his career when he ran away from home at the age of 11. It's a Gift is a 1934 comedy film starring W.C. Fields.It was Fields's sixteenth sound film, and his fifth in 1934 alone. 25 grudnia 1946) – amerykański komik, żongler, aktor i pisarz. We will update soon. The Dentist is a 1932 American pre-Code comedy short starring W. C. Fields.The film is one of four shorts Fields made with the "king of comedy," Mack Sennett, at Paramount.Although Sennett was near the end of his career, he found good use of the new medium of talking pictures for comedy, as the film demonstrates.It was directed by Leslie Pearce from a script by Fields himself. Paul was amused, and named his new machine OCT, short for octopus. [75] Monti had small roles in two of Fields' films, and in 1971 wrote a memoir, W.C. Fields and Me, which was made into a motion picture at Universal Studios in 1976. In 1940 he made My Little Chickadee, co-starring with Mae West, and then The Bank Dick in which he has the following exchange with Shemp Howard, who plays a bartender: Fields: "Was I in here last night, and did I spend a $20 bill? [33] Fields' 1926 film, which included a silent version of the porch sequence that would later be expanded in the sound film It's a Gift (1934), had only middling success at the box office. [53] Addressed in bold type to "Nibblers", more specifically to "indiscreet burlesque and picture players", Fields' notice occupies nearly half a page in Variety. Русский 1 690 000+ статей. I answered the producers a little scornfully, "It's lemonade." According to W. Buchanan-Taylor, a performer who saw Fields' performance in an English music hall, Fields would "reprimand a particular ball which had not come to his hand accurately", and "mutter weird and unintelligible expletives to his cigar when it missed his mouth". Inspired by the success of the "Original Tramp Juggler", James Edward Harrigan,[18] Fields adopted a similar costume of scruffy beard and shabby tuxedo and entered vaudeville as a genteel "tramp juggler" in 1898, using the name W. C. [83] He sent encouraging replies to all of the letters he received from boys who, inspired by his performance in The Old Fashioned Way, expressed an interest in juggling. [51][52] Not surprisingly, as Fields' popularity with audiences continued to rise after 1915, following his initial work in films, other entertainers started to adopt and integrate parts of his successful acts into their own performances. I just love this mans body of work/art/freaking funnymake it a ton ! He went to school for four years, then quit to work with his father selling vegetables from a horse cart. Although lacking formal education, Fields was well read and a lifelong admirer of author Charles Dickens, whose characters' unusual names inspired Fields to collect odd names he encountered in his travels, to be used for his characters. A popular bit of Fields folklore maintains that his grave marker is inscribed, "I'd rather be in Philadelphia"—or a close variant thereof. Waiting for the Electrician or Someone Like Him, How Can You Be in Two Places at Once When You're Not Anywhere at All, "Ally Sloper: The First Comics Superstar? Filmografia. [56] Later, 13 years after its first copyright registration, that same sketch continued to serve Fields as a framework for developing his already noted short The Dentist. Il est inutile de perdre … He is one of the famous people on the cover of the Beatles' Sgt. Fields continued personally and with legal counsel to protect his comedy material during the final decades of his career, especially with regard to that material's reuse in his films. W.C. Fields (2016). He was determined to make a movie his way, with his own script and staging, and his choice of supporting players. [124] In 1973, the comedian's grandson, Ronald J. in 1934. When Fields would refer to McCarthy as a "woodpecker's pin-up boy" or a "termite's flophouse", Charlie would fire back at Fields about his drinking: McCarthy: "Is it true, Mr. Fields, that when you stood on the corner of Hollywood and Vine, 43 cars waited for your nose to change to green? Fields fraternized at his home with actors, directors and writers who shared his fondness for good company and good liquor. From Simple English Wikipedia, the free encyclopedia, https://simple.wikipedia.org/w/index.php?title=W._C._Fields&oldid=6520164, Creative Commons Attribution/Share-Alike License, He is one of the famous people on the cover of the. The oft-repeated anecdote that Fields refused to drink water "because fish fuck in it" is unsubstantiated.[79]. They include the seemingly prosaic "Charles Bogle", credited in four of his films in the 1930s; "Otis Criblecoblis", which contains an embedded homophone for "scribble"; and "Mahatma Kane Jeeves", a play on Mahatma and a phrase an aristocrat might use when about to leave the house: "My hat, my cane, Jeeves".[118]. He had a recognizable and unique style on stage, movies, and radio. [16] Fields enabled his father to retire, purchased him a summer home, and encouraged his parents and siblings to learn to read and write, so they could communicate with him by letter.[17]. In burlesque, vaudeville, and in the rapidly expanding motion picture industry, many of his fellow performers and comedy writers often copied or "borrowed" sketches or portions of routines developed and presented by others. The Sloper character may in turn have been inspired by Dickens' Mr Micawber, whom Fields later played on film. From Wikipedia, the free encyclopedia W. C. Fields and Me is a 1976 American biographical film directed by Arthur Hiller and starring Rod Steiger and Valerie Perrine. [76] His role in Paramount Pictures' International House (1933), as an aviator with an unquenchable taste for beer, did much to establish Fields' popular reputation as a prodigious drinker. 日本語 1 247 000+ 記事. Higgins, This page was last edited on 12 January 2021, at 23:22. The session was arranged by one of his radio writers, Bill Morrow, and was Fields' last performance. His illnesses confined him to brief guest film appearances. He enacted his billiard table routine for the final time for Follow the Boys, an all-star entertainment revue for the Armed Forces. Han portrætterede ofte en misantropisk, drikfældig egoist, der trods sin vrissende foragt for hunde og børn forblev en sympatisk figur. [113], Fields often reproduced elements of his own family life in his films. [25] He later said, "I wanted to become a real comedian, and there I was, ticketed and pigeonholed as merely a comedy juggler. His comic persona was a misanthropic and hard-drinking egotist, who remained a sympathetic character despite his snarling contempt for dogs and children. Field (computer science), a smaller piece of data from a larger collection (e.g., database fields) Field-programmability, an electronic device's capability of being reprogrammed with new logic; Geology. [57] The total number of sketches created by Fields over the years, both copyrighted and uncopyrighted, remains undetermined. On the basis of his work in that film and Griffith's subsequent production That Royle Girl, Paramount offered Fields a contract to star in his own series of feature-length comedies. [109], Fields' most familiar characteristics included a distinctive drawl, which was not his normal speaking voice. is a 1941 Universal Pictures comedy film starring W. C. Fields.Fields also wrote the original story, under the pseudonym "Otis Criblecoblis". After marrying, he worked as an independent produce merchant and a part-time hotel-keeper. But, at the same time, I'm afraid of everybody—just a great big frightened bully . [97] According to a 2004 documentary, he winked and smiled at a nurse, put a finger to his lips, and died. [110] His manner of muttering deprecatory asides was copied from his mother, who in Fields' childhood often mumbled sly comments about neighbors who passed by. [86] Although his radio work was not as demanding as motion-picture production, Fields insisted on his established movie star salary of $5,000 per week. [56] He also copyrighted his 1928 sketch "Stolen Bonds", which in 1933 was translated into scenes for his two-reel "black comedy" The Fatal Glass of Beer. The act was a success, and Fields starred in the Follies from 1916 to 1922, not as a juggler but as a comedian in ensemble sketches. His first feature for Universal, You Can't Cheat an Honest Man, carried on the Fields–McCarthy rivalry. [71] Fields' relationship with Poole lasted until 1926. Sequence with Fields cut from original release, restored for home video. [88], Fields had a substantial library in his home. Original story by "Otis Criblecoblis" (W.C. Fields). Listening to one of Paul's experimental multi-track recordings, Fields remarked, "The music you're making sounds like an octopus. [60] Hattie was educated and tutored Fields in reading and writing during their travels. [11] In 1893, he worked briefly at the Strawbridge and Clothier department store,[12] and in an oyster house. W. C. Fields (January 29, 1880 – December 25, 1946) was an American comic actor. Louvish (U.S. edition, 1997), pp. This page was last changed on 30 April 2019, at 15:18. [14] He had already discovered in himself a facility for juggling, and a performance he witnessed at a local theater inspired him to dedicate substantial time to perfecting his juggling. [40], In the sound era, Fields appeared in thirteen feature films for Paramount Pictures, beginning with Million Dollar Legs in 1932. ", "W. C. Fields' Widow Wins – Entitled to Half $771,000, Though Long Estranged, Judge Rules", "Son of W. C. Fields Toasts Him in Tea – Comic's Namesake, Here for Festival, Is a Teetotaler", "Final Tribute to William Rexford Fields Morris: 1917–2014", "An Interview with WC Fields' 94-year-old son", "W.C. Fields, 66, Dies; Famed as Comedian – Mimicry Star of the Films Since 1924 Got Start as a $5-a-Week Juggler – Rarely Followed Script – Raspy Remarks and 'Know-It-All' Perspective Made Him Nation-Wide Character", "Here A Comic Genius, There A Comic Genius", "Lucky Luke – Ballad of the Daltons (1978) – English 4/8", "At the Ziegfeld Follies: Various Entertainers in the Big Show, as Seen by the THEATRE MAGAZINE'S Artist", "Funnyman W. C. Fields Has His Own Way of Keeping Himself Fit", "W.C. Fields: The red-nosed, raspy-voiced funnyman, who never gave a sucker an even break, dies on Christmas Day", Criterion Collection essay by Dennis Perrin on, Chase And Sanborn Hour 1937-05-09 (01) Guest – Ann Harding, https://en.wikipedia.org/w/index.php?title=W._C._Fields&oldid=999985548, Burials at Forest Lawn Memorial Park (Glendale), Short description is different from Wikidata, Articles with unsourced statements from July 2013, Pages using Sister project links with hidden wikidata, Wikipedia articles with SELIBR identifiers, Wikipedia articles with SNAC-ID identifiers, Wikipedia articles with SUDOC identifiers, Wikipedia articles with Trove identifiers, Wikipedia articles with WORLDCATID identifiers, Creative Commons Attribution-ShareAlike License, Story by J.P. McEvoy and W.C. Fields; extant, Two reels; story by W.C. Fields (uncredited), Fields as contributing writer (uncredited), Original story by "Charles Bogle" (W.C. Fields), Story by "Mahatma Kane Jeeves" (W.C. Fields). William Claude Dukenfield (January 29, 1880 – December 25, 1946), better known as W. C. Fields, was an American comedian, actor, juggler, and writer. [5] Fields' mother, Kate Spangler Felton (1854–1925), was a Protestant of British ancestry. Ronald J. Il a trouvé du travail à différents studios: Hal Roach (avec Thelma Todd et ZaSu Pitts, et Charley Chase). [82] He was fond of entertaining the children of friends who visited him, and doted on his first grandchild, Bill Fields III, born in 1943. In 1927, he made a negotiated payment to her of $20,000 upon her signing an affidavit declaring that "W. C. Fields is NOT the father of my child". In an unusual twist, Fields plays the roles of two nearly identical brothers (T. Frothingill Bellows and S. B. Bellow) and collaborated with several noted international musicians of the time including: Kirsten Flagstad (Norwegian opera soprano), Wilfred Pelletier (Canadian conductor of New York's Metropolitan Opera Orchestra), Tito Guizar (Mexican vocalist), Shep Fields (conducting his Rippling Rhythm Jazz Orchestra) and John Serry Sr. (Italian-American orchestral accordionist)[48] The film received critical acclaim and earned an Oscar in 1939 for best music in an original song – Thanks for the Memory[49] Fields, however, loathed working on the film and particularly detested the director, Mitchell Leisen, who felt the same way about Fields and thought him unfunny and difficult. De la Wikipedia, enciclopedia liberă (Redirecționat de la W.C. Fields) William Claude Dukenfield (29 ianuarie 1880 – 25 decembrie 1946), mai bine cunoscut ca W. C. Fields, a … [123], A best-selling biography of Fields published three years after his death, W.C. Fields, His Follies and Fortunes by Robert Lewis Taylor, was instrumental in popularizing the idea that Fields' real-life character matched his screen persona. 29 stycznia 1880, zm. Italiano 1 665 000+ voci. Reproduced p. 29, Louvish. [6][7] The 1876 Philadelphia City Directory lists James Dukenfield as a clerk. Typically, the finished film was sufficiently surreal that Universal recut and reshot parts of it and ultimately released both the film and Fields. Fields plays himself, searching for a chance to promote a surreal screenplay he has written, whose several framed sequences form the film's center. [78], Fields expressed his fondness for alcohol to Gloria Jean (playing his niece) in Never Give a Sucker an Even Break: "I was in love with a beautiful blonde once, dear. Fields never drank in his early career as a juggler because he wanted to be sober while performing. During the filming of Tales of Manhattan (1942), he kept a vacuum flask with him at all times and frequently availed himself of its contents. "The Sleeping Porch" sketch that reappears as an extended segment in It's a Gift was copyrighted as well by Fields in 1928. Grief-stricken over the tragedy, he had the pond filled in. Beginning in 1915, he appeared on Broadway in Florenz Ziegfeld's Ziegfeld Follies revue,[29] delighting audiences with a wild billiards skit, complete with bizarrely shaped cues and a custom-built table used for a number of hilarious gags and surprising trick shots. [36] Fields went immediately to Hollywood, where Schulberg teamed him with Chester Conklin for two features and loaned him and Conklin out for an Al Christie-produced remake of Tillie's Punctured Romance for Paramount release. Muster roll of 72nd PA, which did not fight at Lookout Mountain! English 6 226 000+ articles. [105] In 1937, in an article in Motion Picture magazine, Fields analyzed the characters he played: You've heard the old legend that it's the little put-upon guy who gets the laughs, but I'm the most belligerent guy on the screen. On March 15, 1941, while Fields was out of town, Christopher Quinn, the two-year-old son of his neighbors, actor Anthony Quinn and his wife Katherine DeMille, drowned in a lily pond on Fields' property. I can remember when, with my own little unsteady legs, I toddled from room to room ...", During his recovery from illness, Fields reconciled with his estranged wife and established a close relationship with his son after Claude's marriage in 1938.[87]. [35] However, rivalry between Paramount studio executives B. P. Schulberg on the West Coast and William Le Baron on the East Coast led to the closure of the New York studio and the centralization of Paramount production in Hollywood. [89] According to a popular story (possibly apocryphal, according to biographer James Curtis), Fields told someone who caught him reading a Bible that he was "looking for loopholes". [62], The couple had a son, William Claude Fields, Jr. (1904–1971)[63] and although Fields was an atheist—who, according to James Curtis, "regarded all religions with the suspicion of a seasoned con man"—he yielded to Hattie's wish to have their son baptized. Eventually, the loneliness of constant travel prompted him to keep liquor in his dressing room as an inducement for fellow performers to socialize with him on the road. 1915: His Lordship's Dilemma jako osoba zajmująca się przelewami; 1925: Sally z areny cyrkowej jako profesor Eustance McGargle; 1932: Gdybym miał milion jako Rollo La Rue; 1933: Alicja w Krainie Czarów jako Humpty Dumpty Debbie Reynolds Auction - W.C. Fields joke box and wordplay archive (5852145490) (2).jpg 1,600 × 1,200; 269 KB. In 1946, on Christmas Day—the holiday he said he despised—he had a massive gastric hemorrhage and died, aged 66. Fields revived his old trick pool table routine, Fields revived part of his old "Caledonian Express" sketch (last appearance), "Egbert Sousé" [pronounced 'soo-ZAY', but pointing toward "souse", a synonym for a drunk] (. Information for this filmography is derived from the book, W. C. Fields: A Life on Film, by Ronald J. [95], Fields spent the last 22 months of his life at the Las Encinas Sanatorium in Pasadena, California. Welles considered an adaptation of Charles Dickens' The Pickwick Papers which would have starred Fields, but the project was shelved, partly because of contract difficulties,[122] and Welles went on to adapt The Magnificent Ambersons. A notable guest slot was with Frank Sinatra on Sinatra's CBS radio program on February 9, 1944. [112], In several of his films, he played hustlers, carnival barkers, and card sharps, spinning yarns and distracting his marks. Fields would twit Charlie about his being made of wood: Fields: "Tell me, Charles, is it true your father was a gate-leg table? A photo of James in a Civil War period uniform, c. 1900, shows him missing his right index finger. [21] He manipulated cigar boxes, hats, and other objects in his act, parts of which are reproduced in some of his films, notably in the 1934 comedy The Old Fashioned Way. Une proposition d'anecdote pour la section « Le Saviez-vous ? His stage costume from 1915 onward featured a top hat, cut-away coat and collar, and a cane—an appearance remarkably similar to the comic strip character Ally Sloper, who may have been the inspiration for Fields' costume, according to Roger Sabin. The combination of these events provoked a complete breakdown for Fields which laid him up for nine months. His father, James Lydon Dukenfield (1841–1913), was from an English family that emigrated from Sheffield, Yorkshire, England, in 1854. [23] When Fields played for English-speaking audiences, he found he could get more laughs by adding muttered patter and sarcastic asides to his routines. and Man on the Flying Trapeze, ended happily with a windfall profit that restored his standing in his screen families. ", McCarthy: "If it is, your father was under it!". My reward? ", Bergen: "Why, Bill, I thought you didn't like children. Fields with Shaun O'L. Français 2 287 000+ articles. By the time he entered motion pictures, his relationship with his estranged wife had become acrimonious, and he believed she had turned their son Claude—whom he seldom saw—against him.

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